- Architects: Haworth Tompkins
- Location: 14-22 Howie St, London SW11 4AY, UK
- Area: 2662.0 sqm
- Project Year: 2015
- Photographs: Courtesy of Haworth Tompkins
- Contractor: Vinci Construction
- Project Manager : AECOM
- Planning Consultant : DP9
- Structural Engineer : Price & Myers
- Service Engineer : Max Fordham LLP
- Quantity Surveyor : Gardiner & Theobold
- Fire Safety Engineers: Trenton Consultants
- Façade Consultant: Montresor Partnership
- Rights Of Light Consultant: GIA
- Disability Access Consultant: All Clear Designs Ltd
- Cdm Coordinators: PFB Construction Management Services
- Signage Consultant: Cartlidge Levene
- Overall Cost : £13,338,000
- Construction Cost : £8,200,000
From the architect. The opening of the Woo Building, a significant expansion of the Ceramics & Glass and Jewellery & Metal department, marks the completion of the RCA’s highly anticipated Battersea Campus, bringing all of the RCA’s fine art programmes together at a single site for the first time in the institution’s history.
Seven years after winning the masterplan competition, the Woo Building completes Haworth Tompkins’ trio of buildings, which also include the Dyson and Sackler buildings.
Along with Dyson and Sackler, the Woo Building completes Haworth Tompkins’ trio of buildings, which – with the earlier Sculpture Building – make up the Battersea campus. The Woo Building mirrors the factory-inspired Dyson, with a triple-height, glazed central hall accommodating specialist equipment alongside spacious workshops, while studios, offices and common spaces are housed on the three floors above.
The Woo Building is named in honor of Sir Po-Shing and Lady Helen Woo, who have a long-established relationship with the College, having funded scholarships for ceramics, glass, silversmithing, metalwork and jewellery students since the early 1990s. The building also received funding from The Wolfson Foundation and Sir Siegmund Warburg’s Voluntary Settlement. The striking new building was designed by award-winning architects Haworth Tompkins.
Haworth Tompkins worked in close collaboration with the academics, technicians and students who will be using the space and considered every facet of the building in relation to the programmes’ specific needs. A new ceramics laboratory that is unique to the RCA has been installed together with a state-of-the-art kiln room containing kilns for a wide range of activities from large-scale sculpture to small gas fired kilns for test and research work.
The Jewellery & Metal programme is housed on the top two floors of the Woo Building. The expansive, high-ceilinged studios are flooded with natural light from overhead skylights and windows that provide an inspiring view of London. Unlike the Ceramics & Glass workshops, which allow students to weave through openly, the Jewellery & Metal workshops are housed in clearly defined spaces as many of the making processes are incompatible and need to be contained.
The addition of the Woo Building promotes collaboration across programmes, leading to moments of cross-pollination as students from Ceramics & Glass and Jewellery & Metal work in close proximity to each other and the School of Fine Art. The flow and shape of the building allows the cross-disciplinary interactions and connections across the disciplines that are central to what makes RCA education so transformational for students and researchers. Students from the Ceramics & Glass and Jewellery & Metal programmes will also benefit from the proximity of the metal foundry housed in the Sculpture Building, which is a rarity in London’s art schools.
The influx of ceramicists, glassmakers, jewellers and metalworkers will mix with Battersea’s fast-evolving creative scene as they join RCA Fine Art students and InnovationRCA start-up companies, along with international designers, artists and architects including Vivienne Westwood, Victoria Beckham, Will Alsop and Foster + Partners, who all have creative studios in Battersea.
To celebrate the opening, site-specific gates have been commissioned from Design Products alumnus and prominent London designer Max Lamb. The gates are installed at the Howie Street entrance and allow pedestrian and vehicle access. Fabricated from anodised aluminium, which is coloured to form a striking gradient from light grey, through vibrant turquoise to deep shades of navy, they have been designed to echo the architectural details of the building as well as the activities that will be taking place within it.